Mostly Low Budget Movie Reviews with Clarence

The Wrecking Crew has solid performances and surprisingly decent character work holding it together. The chemistry works—Jason plays the reckless cop, Dave the disciplined Navy SEAL—and you can tell they’re having fun, even if Jason flirts with going a little too extra. Bautista is the standout here. The story itself is pretty standard, but I was genuinely surprised by how much time they spent exploring the fractured brother relationship and emotional baggage—it actually lands. Unfortunately, the movie stumbles with predictable twists, over-the-top action logic, and a painfully weak, cookie-cutter villain. Bottom line: I had fun with it, but it’s messy and very by-the-numbers.
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Rachel McAdams is REALLY good here as the socially awkward employee who slowly steps into her power. Watching her flip the workplace bully dynamic was super satisfying. Also — way more dark comedy than I expected, plus some gross-out moments that actually made me laugh.
The story goes in some unexpected directions and the pacing is mostly solid, but they definitely give the twist away too early. My bigger issue? At a certain point she crosses a line that makes her harder to root for, and that takes some of the impact out of the ending.
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Strong performances across the board (mostly), with Matt and Damon carrying the movie on pure chemistry. The tension and mistrust felt real, and the mystery of who was dirty was actually engaging — the clues were there if you paid attention. Action is solid but nothing special.
Where it stumbles: the movie points too hard at one suspect, killing some of the suspense. The “based on true events” angle feels shaky with stuff that seems impossible to get away with. It also runs a bit long, and Teanna Taylor felt miscast in a role that needed someone more natural and low-key.
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Mercy comes out the gate STRONG. Killer premise, instant tension, and a setup that makes you lean forward like “okayyy, this could be something.” The concept is slick — high stakes, ticking clock energy, and rules that seem clear enough to make the investigation feel dangerous and smart. For the first chunk, it really feels like we’re about to get a tight, cerebral thriller.
But then the third act shows up and just… throws the rulebook out the window. The AI starts acting (or failing) based on what the script needs, not the logic the movie itself built. The system that was supposed to be precise suddenly gets vague, convenient, and messy. By the end, it’s less “edge-of-your-seat thriller” and more “wait… that doesn’t even make sense.” A great concept that couldn’t stick the landing.
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The biggest strength here is how two completely separate storylines eventually collide. On one side, you’ve got Lord Jimmy and a Satan-worshipping cult terrorizing the countryside. On the other, Dr. Ian is isolated, obsessively trying to communicate with the Alpha. At first, they feel totally unrelated… until one key element pulls them together. The cult scenes are genuinely hard to watch in the best way possible. Strong performances across the board, excellent world-building, striking visuals, and a standout use of the soundtrack—especially a chilling late-film moment involving “Satan” that really hits.
That said, my one real complaint is the same lingering issue with this franchise lately: I miss when the rage virus was front and center. This feels a lot like The Walking Dead shift—early seasons focused on zombies and survival, later seasons focused more on people and relationships with the zombies as background noise. That’s exactly what’s happening here. The rage virus is more present than last time, sure, but we don’t get enough hordes, desperate chases, or full-on brutal mob kills. There’s some of that intensity… just not nearly enough for me.
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It jumps straight into a disaster, which is always appreciated, and the effects are still solid… there’s just not enough of them. This sequel shifts focus from large-scale destruction to family drama and survival in a world that’s now just as dangerous because of people as it is the environment.
That could work, but it hits all the predictable disaster-movie beats and feels completely unnecessary, especially considering how the first one ended. Worst of all, for a disaster movie, there’s barely any disaster. It’s slow, restrained, and desperately needed more chaos — meteor showers, storms, anything.
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🧟‍♂️ THE ELIXIR is an Indonesian zombie horror that almost rises above the genre clichés. On the surface, the story is pretty standard undead chaos—but where it stands out is in the family drama layered underneath, giving the characters some much-needed emotional depth.
The practical effects and gore are a big win here—bloody, grimy, and effective without relying too heavily on CGI. That said… the characters make so many unbelievably dumb decisions that it starts to hurt the movie. We’re talking zero common sense and no self-preservation instincts, which drags down what could’ve been a much stronger horror experience.
Still, between the solid effects, intense moments, and emotional angle, there’s enough here to make The Elixir worth a watch—just be ready to yell at the screen.
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The Great Flood starts as a fast-paced disaster flick with solid special effects and a sense of urgency that really works. For about the first 35 minutes, it feels like you’re in for a straightforward, intense survival story. Then it completely shifts gears.